In the cinema not only counts the film that is made, even the criticism and the opinion that emerges from the film itself. Circle of organization and preparation behind a good movie also counts. From this point of view, the montage of a film is a fundamental component. Without montage there was also no film.

A question as clear as emblematic. A law that has been in force since the cinema as a whole was established at the beginning of the 20th century.

The secrets of a good edition

Technically speaking, to have a good cinematographic montage, you need to have at your disposal, in addition to the right men, also the most suitable and adequate equipment.

Over the years wooinfo have gone from the so-called mechanical to electronic and digital assembly, which makes the practice much easier from this point of view. Many contemporary directors and set designers are based on it.

In this way, it becomes much easier to be able to assemble a scene sequence without having to go through the entire original reel of film and alter it entirely. A saving of time and money, very convenient from all points of view and that accelerates the creative process in an impressive way.

A real art and the language of the director par excellence through which he produces cinematic representation in practice. Also from this act it is easier to understand the personality of a director in his work and in his application methods.

Through the montage of a film, the spectator can look at the scenes with a different eye than the one that would look at the same act, but in everyday life. Direction implies, to a large extent, a double visual effect, in fact, on the viewer himself. The perception, in fact, changes.

The post -production of a film allows ordering the different shots produced one after the other, giving a certain narrative order to the journeys of the montage. The success of a plan, from this point of view, depends on the plan and the way it is expressed.

The greater the uncertainty during the shoot, the greater the chances of taking a more distorted plan than usual, which therefore requires more post-production work. Crossfading acts as a great antidote to smooth out this type of inconvenience.

To make a montage of great cinematographic sets, it is necessary to use the elements that are used and how to use them. Keep a certain overview of the shots with the help, if possible, of several cameras at the same time, keeping in mind, however, and the most correct angle for a scene.

Slow motion is the right tool to better synchronize audio with video. The sequences, in this way, have a more marked linearity, aligned. Digital publishing, in part, can use specific software capable of storing to make the footage on the hard drive, while eliminating the mystical tapes and movies to watch. Colors and special effects can be inserted in a more penetrating and incisive way.

Finally, it is worth noting the substantial difference between alternate and parallel assembly. The first aims to amuse the viewer’s visual perception, interspersing an alternation of shots shot in 2 distinctive places, but at the same moment. In the following case, 2 scenic contexts if occur non-simultaneously, to underline their similarities and review them practically at the same time.