There is no one answer to the question, “What mm lens is best for video?” There are no absolute rules, and the choice depends largely on your preferences, the needs of your project, and the gear you own. Some filmmakers have preferred certain focal lengths, while others have preferred a wide angle. For instance, Ridley Scott shot Alien with a 75mm anamorphic lens. Alfred Hitchock, on the other hand, often used a 50mm lens. Steven Soderbergh, meanwhile, was obsessed with the 18mm lens in Moonlight. And Steven Spielberg, on the other hand, has basically married his career to a 21mm focal length.
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Sony FE 24-70mm f/2.8 GM
The Sony FE 24-70mm F2.8 GM II lens delivers impressive close-up performance, especially for videography. Its minimum focusing distance of 8.25 inches (0.21 meters) and maximum magnification of 0.32x make it an ideal choice for videography. Moreover, with its four XD Linear Motors, the Sony 24-70mm F2.8 GM II delivers excellent tracking performance, even at high zoom speeds. It also boasts advanced lens control and a fast AF system. Finally, it offers up to 30 fps continuous shooting, as well as 4K 120p video recording.
The performance of this Sony 24-70mm f/2.8 GM is on par with that of other professional video lenses. The contrast between Sagittal and Tangential lines is good, though the bokeh isn’t as smooth as those of prime lenses. This lens is able to deliver a smoother image than many prime lenses, but it is not as sharp as the best.
Its autofocus system is regarded as one of the best in the industry. It also features a dedicated aperture ring with clickless iris control.
Sony FE 11mm f/1.8
If you’re a video photographer, you want to have the best possible video lenses. The FE 11mm f/1.8 lens from Sony will give you high-quality video footage that you can use to share with your audience. This lens does not have optical stabilisation, but it’s still a fine choice for video. It also has an impressive wide angle of view and close-focus capabilities.
The Sony FE 11mm f/1.8 is widely regarded as the best lens for video. Some YouTube users even consider it the best lens they’ve ever used. Although some videos are overly enthusiastic, the lens does deliver excellent performance. It produces consistent image quality from f/1.8 to f/8. It also offers good to excellent center quality and a decent outer image field.
This ultra-wide prime lens from Sony is lightweight and compact. It has a fast f/1.8 aperture and a low-profile design. It’s also dust and moisture resistant.
Sony 10-18mm f/4
The Sony 10-18mm f/4 lens is a versatile zoom lens for Sony’s NEX cameras. The 10mm f/2.8 equivalent focal length is very sharp, while the 18mm equivalent is a little softer. In real photography, this lens makes 18-pointed sunstars in brilliant points of light. Wide-open, its blades are rounded, and as the aperture increases, they become super-sharp.
The Sony 10-18mm lens is a wide-range zoom lens, offering 36-megapixel resolution. The lens is slightly less than perfect for video, but it is still very usable on a Sony A7r. It also exhibits a slight ring of vignetting at the outside of the image when viewed at 10mm, but no ring is noticeable from 12mm to 17mm. Although there is some slight vignetting, it’s easy to fix in Lightroom.
Another benefit of this lens is its image stabilization. Unlike most other video lenses, the Sony 10-18mm features Optical SteadyShot (OSS). However, unlike the gimbal-based stabilizers available on more expensive video cameras, OSS is not the best choice for video use.
Sony 50mm f/2.5 G
The Sony 50mm f/2.5 G lens produces a very pleasing bokeh, a wide f/2.5 aperture, and well-rounded highlights. It also has an interesting cat’s eye effect, with polygons instead of circles, and it produces a nice amount of flare. Another positive is its excellent autofocus and low vignetting.
Sony’s FE lenses are built with an excellent grip and a slim manual focusing ring. They have an impressive focus distance of 35cm (1.15 feet) when in AF mode and 31cm (0.02 feet) in MF mode. They also have a maximum magnification of 0.21x. The AF/MF switch is self-explanatory and the double linear motors allow for fast, silent autofocus.
Sony’s FE 50mm f/2.5 G lens offers great quality for video and still photography. With an aperture of F2.5, this lens is very sharp across the frame and has excellent low-light performance. It also has a declickable aperture and a weather-sealing system. The FE 50mm f/2.5 G is lightweight and compact, which is ideal for vloggers and video creators. However, the lens’s background rendering is not quite as smooth as some higher-end models.
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